Women’s Book Battles

The New York Historical Society is currently showcasing “Circulating Control: Women's Book Battles, 1880-1930,” which explores the influence of New York City’s first librarians – women. In the late 1870s, women in New York started the New York Free Circulating Library, creating the largest network of literature in the city. By managing and keeping this library system, these women naturally began influencing and mediating the kinds of books New Yorkers had had access to.

In the nineteenth century, Christian reformers targeted these efforts, attempting to censor books and publications they saw as immoral. However, the women who ran these libraries resisted control, and still found ways to circulate literature on controversial topics of the time. The exhibit highlights how censorship often sparks greater public support for the ideas censors seek to suppress, a trend we still see to this day.

Visitors can explore preserved texts, photographs, and relics from New York City’s first librarians through November 30, 2025.

“Graft” by Edra Soto

Welcoming visitors at the Fifth Avenue entrance to Central Park stands a new sculpture, “Graft” by Puerto Rican artist Edra Soto. “Graft” is part of a series of installations by Ms. Soto that brings to life the exploration of the relationship between our private lives and what we choose to share with the world.   The four screens are sculpted out of corten steel and terrazzo, which are inspired by rejas, or iron screens commonly seen outside of homes in Puerto Rico. The rejas replicate geometric patterns that may be traced back to West Africa’s symbol systems known as Yoruba and pay homage to the island’s Black heritage which is often overlooked by Puerto Rico’s Spanish Colonial history and architecture.

Visitors can stand on the outside of the sculpture, peering across towards the park, or on the inside, where they are invited to sit at tables and seating that mirror the welcoming interior of a home in Puerto Rico. By welcoming us inside, Soto invites New Yorkers to connect to Puerto Rico and its communities across the city.

“Untitled (America/Me)” by Glenn Ligon

For decades New York based artist Glenn Ligon has explored issues of race, sexuality, and identity in his art through a historical lens, drawing on literature and sources from the past. Using text in his work, he plays with language to make us think about shifting meanings in different contexts. Now, Ligon has once again drawn attention to what America means as our nation struggles to maintain unity.

“Untitled (America/Me),” is a new 25 x 75 foot billboard viewable from the High Line at 10th Avenue and 18th Street. The installation revisits Ligon’s iconic 2008 neon sculpture, “Untitled,” which featured the word AMERICA in bold neon caps that flickered on and off. Ligon has modified his original piece by crossing out most letters in AMERICA, leaving behind only the word “ME.” As the artist explains, “The word ‘America’ is eclipsed, and the blackening of the letters adds a layer of ambiguity… It’s timely as we reflect on our purpose as a nation and as individuals.” Timely indeed as we ponder the election this coming November 5th and what America means to each of us.

“The Great Elephant Migration” by The Coexistence Collective

After a long journey, “The Great Elephant Migration” has finally made its way to New York City. The herd will call the Meatpacking District home for the next few weeks, inviting us all to walk alongside the elephants as they explore the neighborhood. The traveling herd of 100 pachyderm models are each inspired by an individual living elephant in the Nilgiri Hills region of Southern India, and the sculptures are constructed by indigenous artisans and contemporary artists. The majestic elephants are meant to mimick “how it is when you’re in India, with the elephants walking through the streets” according to Dodie Kazanjian, the founder of the Rhode Island nonprofit Art&Newport, who curated the elephants’ US tour.

We last caught up with the elephants in London back in 2021 and are thrilled to visit them again in our backyard! A must see for kids of all ages, the installation will leave us October 20th and travel throughout the US through 2025.