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“Don’t ASK” by Allison Katz

October 3, 2025 Misia Delgado
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As a slight chill descends on New York, we sought comfort from the changing seasons at one of our favorite places for public art, the High Line, to observe Allison Katz’s Don’t ASK. Hovering above the intersection of 18th Street and 10th Avenue, Don’t ASK features two oversized chickens mid-crosswalk, playfully referencing the classic anti-joke: “Why did the chicken cross the road?” But rather than providing an answer, the installation leans into uncertainty, highlighting possibility, anticipation, and the unknown. Katz’s piece reflects her interest in roads and transportation systems, not just as infrastructure, but as symbols of thought in motion. The road becomes a metaphor for ideas, transitions, and open-ended futures. Visually, Don’t ASK mimics the towering advertisements that define New York City’s skyline. However, instead of selling a product, it reclaims the billboard format to provoke reflection rather than consumption. In a city of constant movement and noise, Don’t ASK offers a quiet interruption, a thoughtful invitation to pause, consider, and embrace not knowing.

Tags friday photo, high line, allison katz, billboard, public art, chickens, road, street art, dont ask, High Line Art

“Untitled (America/Me)” by Glenn Ligon

September 27, 2024 Fiona Danyko

For decades New York based artist Glenn Ligon has explored issues of race, sexuality, and identity in his art through a historical lens, drawing on literature and sources from the past. Using text in his work, he plays with language to make us think about shifting meanings in different contexts. Now, Ligon has once again drawn attention to what America means as our nation struggles to maintain unity.

“Untitled (America/Me),” is a new 25 x 75 foot billboard viewable from the High Line at 10th Avenue and 18th Street. The installation revisits Ligon’s iconic 2008 neon sculpture, “Untitled,” which featured the word AMERICA in bold neon caps that flickered on and off. Ligon has modified his original piece by crossing out most letters in AMERICA, leaving behind only the word “ME.” As the artist explains, “The word ‘America’ is eclipsed, and the blackening of the letters adds a layer of ambiguity… It’s timely as we reflect on our purpose as a nation and as individuals.” Timely indeed as we ponder the election this coming November 5th and what America means to each of us.

Tags friday photo, glenn ligon, untitled, america, me, art, public art, high line, the high line, art in nyc, new york city, billboard, vote
 

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