Annual Boat Dance 2026

On a beautiful end-of-summer evening, we gathered for our annual sunset cruise along the Hudson River, temporarily trading our desks and deadlines for a charming boat ride beside the New York skyline. Over delicious bites and drinks, we reminisced with current and former colleagues on the tribulations of immigration law and the joys of helping our clients.

As we sailed down the river, we were rewarded with spectacular views of some of the city's most iconic landmarks. The picturesque sight of the Statue of Liberty reminded us why we love what we do. Drifting past downtown Manhattan, illuminated at dusk and dotted with still-lit windows, we felt a renewed love for the city that never sleeps. And as we crossed under the Brooklyn Bridge, we waved to many fellow travelers, on boats, trains, and cars alike, each on their own path.

Now, as we head into fall, we're ready to get back to work. Until next summer's voyage, we’ll persist at what we do best: keeping people moving, keeping cases moving, and steering the ship onward.

"Tribute in Light"

Twenty-five years after the September 11th tragedy, we were able to capture the annual commemorative installation “Tribute in Light,” which rises over lower Manhattan in the form of two bright beams cast upward into the sky, visible from dusk to dawn. Reminding us of the lives lost and changed twenty-five years ago, the memorial honors the heroes and victims of the attacks. We observed the shining recreation of the two towers which once overlooked the skyline, holding solemn remembrance and resilient love for New York City in our hearts. A moving display, the tribute lights encapsulate profound grief and hope at once, continuing to unite New Yorkers in their glow, a quarter-century later.

“Dear New York” by Brandon Stanton

This week, we happened upon “Dear New York,” a striking new exhibition at Grand Central Terminal. Conceived by artist Brandon Stanton, who is best known for his work “Humans of New York,” and produced in collaboration with the MTA, Pentagram, Juilliard, Korins Studio, and NYC Public Schools, the installation transforms one of the city’s most iconic public spaces into a powerful celebration of everyday New Yorkers.

Replacing the advertisements that typically adorn the space, Stanton’s immersive art installation of vivid photographs fills the terminal. Each photograph captures authentic moments and stories from across the five boroughs. In the grand concourse, 50-foot projections cycle through portraits and quotes, set to a moving live piano performance that adds emotional depth to the experience. A particularly meaningful section features portraits of individuals nominated by NYC students, accompanied by heartfelt notes explaining why their nominee inspires them.

“Dear New York” is more than an art installation, it’s a love letter to the city and its dwellers, as well as a reflection of its diversity, resilience, and creativity. It also highlights the transformative potential of public art in urban spaces. If you're in the area within the next two weeks, through October 19th we encourage you to visit and celebrate humanity.

“The Sun Is a Flame That Haunts The Night” by Tai Shani

We were walking through New York’s Chelsea neighborhood recently when we looked up to see a glowing candle, lighting our way. The mysterious light is part of the new art installation on the High Line, “The Sun Is a Flame That Haunts The Night” by Tai Shani. For this piece, Shani drew upon one of her recurring motifs, candlesticks, to create cartoon-like sculptures which glow at night. Though candles usually drip and melt, reminding us of the passing of time, these candles stay the same, unchanging on the High Line. The installation will light up the Highline through March 2026. We recommend art lovers catch these beautiful sculptures at night when they’re aglow.

Art Vending Machines

Ana Inciardi, an artist who hails from Brooklyn, has been installing print vending machines across the country for the last three years. A machine recently opened at Artists & Fleas in Chelsea market, a perfect location for the Italian American artist who celebrates food, community, eating, and accessibility. We knew we had to take a visit! Usually, the Friday photo gives us a chance to appreciate art displays, but this week we got to take the art home with us. All you need is four quarters to get a surprise print. Inciardi said the inspiration for the machines came from a sticker and temporary tattoo vending machine at the supermarket where she grew up. One week when she was short on quarters for the laundromat, she realized she could use the format of those childhood vending machines but put a twist on them, filling the machines with her prints to make art accessible for people across New York. The idea has been a massive success, and now her linocut prints can be found across the country. We were excited to bring home our New York themed images of a hot dog, ice cream, bagel, and Italian spritz, some of the best treats for a New York summer day!

“The Space Between Us” by Risha Gorig

Floating fifteen feet above New York’s Union Square Park are two bright pink chairs, facing each other. “The Space Between Us,” (“TSBU”) is by Brooklyn based artist Risha Gorig, who is known for taking a whimsical approach to bleak themes. Gorig says the floating chairs, which represent public discourse, serve “as a poignant reminder of our essential need for communication.” As one of New York’s oldest town squares, Union Square has historically served as a “space for expression, protest, and exchange,” making it the perfect backdrop for the thought provoking and conversation starting installation.  This eye-catching piece will be on display for visitors until May 1, 2025.

“moonGARDEN” by Lucion

After touring the world with stops in Athens, Brussels, Jerusalem, Moscow, Washington, Mexico City, Medellín, Houston, and Beijing, moonGARDEN has made its way to New York City. The art installation features glowing, color-changing spheres which were created by Lucion, a multimedia production firm based in Quebec.  Currently planted at the Seaport District, the spheres are inspired by set theory, a branch of mathematics that Lucion says “illustrates the notions of sets and belonging.” Each city gets a new perspective, and New York’s installation is titled “Chronicles of the Abyss Walkers,” featuring an underwater themed marine exploration. A peek inside the porthole of one sphere reveals a new world, with giant jellyfish, robotic fish, and an intricate coral reef. The installation is sure to delight visitors of all ages, and art lovers can catch the exhibit through February 2025, before the garden travels to its next destination.

Women’s Book Battles

The New York Historical Society is currently showcasing “Circulating Control: Women's Book Battles, 1880-1930,” which explores the influence of New York City’s first librarians – women. In the late 1870s, women in New York started the New York Free Circulating Library, creating the largest network of literature in the city. By managing and keeping this library system, these women naturally began influencing and mediating the kinds of books New Yorkers had had access to.

In the nineteenth century, Christian reformers targeted these efforts, attempting to censor books and publications they saw as immoral. However, the women who ran these libraries resisted control, and still found ways to circulate literature on controversial topics of the time. The exhibit highlights how censorship often sparks greater public support for the ideas censors seek to suppress, a trend we still see to this day.

Visitors can explore preserved texts, photographs, and relics from New York City’s first librarians through November 30, 2025.