Fall has Fallen

Autumn has arrived in New York City, bringing crisp air, colorful leaves, and a little Halloween magic to the streets. After a long, warm summer, the city is embracing the changing of trees and temperatures with a few transformations of its own. As Halloween approaches, neighborhood stoops and brownstone facades become seasonal works of art, thanks to residents who adorn their front steps with festive displays of pumpkins, playful skeletons, mischievous ghosts, and all things fall. On a recent stroll through the Upper West Side, we came across a delightful mix of autumnal arrangements and Halloween decorations that made the neighborhood feel like a scene from a seasonal postcard.

Among golden leaves scattered across the sidewalks, these decorated doorways and neighborly displays remind us that some of the city's greatest charms are found not in its famous landmarks, but in the creativity of the people who call it home. In New York, fall isn't just a change in the weather, it's a season to be celebrated…one stoop at a time.

“The Power of Togetherness” by Gillie and Marc in collaboration with Sesame Street

What happens when the world of endangered wildlife meets the wonderfully welcoming neighborhood of Sesame Street? A new public art display in East Midtown Manhattan answers that question through whimsical sculpture. In “The Power of Togetherness,” artists Gillie and Marc, bring their iconic characters, Rabbitwoman and Dogman, face-to-face with some of Sesame Street’s most beloved residents in an exhibition that reminds us that our differences are what make us stronger. Gillie and Marc created Rabbitwoman and Dogman to illustrate the possibilities that come from bringing different perspectives together in pursuit of a common goal. By sharing their celebrated bronze sculptures around the world, the artists have used their work to draw attention to meaningful causes, from protecting endangered wildlife to celebrating the power of human connection.

In this special collaboration, Rabbitwoman and Dogman sit alongside Big Bird, sharing a powerful message of unity and acceptance. Nearby, Elmo and Cookie Monster enjoy a moment with Elephant and Rhino, while Bert and Ernie share an afternoon ice cream with Gorilla. Blending the warmth and nostalgia of Sesame Street with Gillie and Marc’s signature anthropomorphic animal sculptures, “The Power of Togetherness” is more than a playful meeting of familiar characters. The exhibition builds on the artists’ previous conservation awareness efforts in the city, while reminding us of the value of community, the beauty in our differences, and the simple joy of spending time together with neighbors and friends. Catch up with the loveable characters through March 2027.

“Camille Henrot: Dogs”

Among the regular menagerie of pets trotting through Central Park on any given afternoon, you may now catch sight of a few curious newcomers flanking the southeast entrance. Leashed around a central post, a dozen sculptures of dogs prowl, stretch, and patiently pose, gazing at onlookers. The work is the first public exhibition in New York by prize-winning artist Camille Henrot, located off Fifth Avenue at Doris C. Freedman Plaza. In wood, steel, and stone, Henrot’s pack of carefully fashioned dogs emulate a jumble of iconic art and cultural references. An open book rests on top of a stout stone bulldog. A long-haired Yorkie, bronze-cast, glances around mournfully for her absent owner. A wolfy mid-sized dog stretches his paws, mid-yawn. They fit right into New York’s eclectic assortment of beloved pets, from chihuahuas in tiny boots, to a cat surveying the sidewalk from a stroller, to the many labs and retrievers tied patiently to bicycle racks. Simply titled “Dogs,” the piece celebrates the great variety of creature companions in parks and apartments around the city, as well as humanity’s long affair with these domesticated pets. Henrot’s choice to depict dogs without their implied walkers or owners allows viewers simply to consider the dogs on their own, with their myriad of personality quirks, silhouettes, dispositions, and whims. For dog lovers and park roamers alike, the sculptures are a delightful addition to a city stroll.

“Lady in Blue” by Tschabalala Self

We are still across the pond in London’s Trafalgar Square to meet “Lady in Blue”, a striking bronze sculpture by Harlem born artist Tschabalala Self, unveiled on the Fourth Plinth this September. Rather than honoring a historical figure or larger-than-life hero, “Lady in Blue” celebrates someone much more familiar: the everyday, modern woman making her way through the city. With her confident stride and unmistakable sense of purpose, she represents, as the artist describes her, “an everyday person much like the many who occupy the square daily,” who can now glimpse the statue on their daily commutes. Her vibrant blue dress immediately catches the passing eye, a reflection of the frenetic and vibrant energy of the city, while her accessories reference lapis lazuli, the rare and prized stone that has been used as a pigment in art for centuries.

There’s something particularly fitting about placing this woman in Trafalgar Square. She isn't there to be worshipped or remembered as a figure from the past. She is looking straight ahead; ambitious, self-assured, and ready for whatever comes next! In other words, “Lady in Blue” isn't just another statue frozen in history. She's all of us, and she has somewhere to be. 

"Schiaparelli: Fashion Becomes Art"

In a showing at V&A South Kensington, fashion legend Elsa Schiaparelli’s lavish and stately designs have been collected for exhibit in the UK for the very first time. We strolled through galleries replete with the imaginative work of the Italian designer and her eponymous fashion house, which pioneered such transformative changes in the early twentieth century as visible zippers and the wrap dress.

Elegant and expressive couture pieces adorn clusters of mannequins marking iconic moments in Schiaparelli’s career, inviting viewers to a high fashion runway where the models linger for hours under the sparkly spotlights.  The silhouettes dazzle and leap from the display in curling tendrils and undulating patterns as they branch into more modern, experimental works. The newest pieces have been fabricated under current Schiaparelli creative director Daniel Roseberry, including a gown worn by Ariana Grande at the 2025 Academy Awards. Some nooks hold famed collaborations with boundary-pushing artists of the interwar period, such as the legendary, surrealist “shoe hat” crafted with Salvador Dalí. Other faceless figures flaunt Elsa Schiaparelli’s innovative fabric selections and affair with embellished and unusual fastening mechanisms, from her innovation with tie-up wraps to her insistent curation of distinct zipper pulls and funky buttons.

An abstract portrait in angled shapes of aquamarine and daisy yellow hangs among the couture clothing, a 1937 Picasso painting with the subject in Schiaparelli jewelry, hat, and lapel pins. Its inclusion underscores the exhibit’s thesis — that works of fashion brilliance belong among the finest of art. Catch the array of fashion landmarks and dreamlike designs in London before the exhibit closes on November 15.

Annual Boat Dance 2026

On a beautiful end-of-summer evening, we gathered for our annual sunset cruise along the Hudson River, temporarily trading our desks and deadlines for a charming boat ride beside the New York skyline. Over delicious bites and drinks, we reminisced with current and former colleagues on the tribulations of immigration law and the joys of helping our clients.

As we sailed down the river, we were rewarded with spectacular views of some of the city's most iconic landmarks. The picturesque sight of the Statue of Liberty reminded us why we love what we do. Drifting past downtown Manhattan, illuminated at dusk and dotted with still-lit windows, we felt a renewed love for the city that never sleeps. And as we crossed under the Brooklyn Bridge, we waved to many fellow travelers, on boats, trains, and cars alike, each on their own path.

Now, as we head into fall, we're ready to get back to work. Until next summer's voyage, we’ll persist at what we do best: keeping people moving, keeping cases moving, and steering the ship onward.

"auruBOROS - Urban Memory and Collective Dream"

Marking its first public-art presentation in the United States, Bvlgari, the renowned Italian jewelry and accessories house, unveiled “auruBOROS—Urban Memory and Collective Dream” on the High Line during New York Fashion Week.

The thirty-three-foot pneumatic sculpture is the latest installation in the Serpenti Infinito global series, created to celebrate the 75th anniversary of Bvlgari’s iconic Serpenti collection. Serpenti Infinito has brought bespoke presentations around the world, from Shanghai in 2025 where it also celebrated the year of the snake, to Seoul and Mumbai.

The mirrored gold structure spirals in a mesmerizing tangle, and visitors can walk among the coils, tracing their intertwined path. Conceived by Berlin-based artists Marco Canevacci and Yena Young of Plastique Fantastique, “auruBOROS—Urban Memory and Collective Dream” takes its name from the Ouroboros, the ancient image of a serpent consuming its own tail—a symbol of transformation, renewal, and perpetual evolution. Its golden coiling forms “invite us to embrace change as a source of beauty, innovation and inspiration,” as noted by Laura Burdese, CEO of Bvlgari.

Consider this your sign to catch a glimpse of the sculpture before it slithers away, as Serpenti departs the High Line on September 20, 2026.

"Tribute in Light"

Twenty-five years after the September 11th tragedy, we were able to capture the annual commemorative installation “Tribute in Light,” which rises over lower Manhattan in the form of two bright beams cast upward into the sky, visible from dusk to dawn. Reminding us of the lives lost and changed twenty-five years ago, the memorial honors the heroes and victims of the attacks. We observed the shining recreation of the two towers which once overlooked the skyline, holding solemn remembrance and resilient love for New York City in our hearts. A moving display, the tribute lights encapsulate profound grief and hope at once, continuing to unite New Yorkers in their glow, a quarter-century later.

Summer Memories

Summer may be winding down, but we’re not quite ready to say goodbye. As we head into Labor Day weekend, we’re looking back on a long, hot, and wonderfully fun-filled summer and sharing a few of our favorite moments, captured through our lenses along the way. 

From memorable scenery and new places to spontaneous adventures and time spent with family and friends, these are the moments that made summer 2026 one to remember. Here’s to savoring the last days of summer and carrying a little of that sunshine into the season ahead.

Happy Labor Day—and happy roaming!

Farewell to Dear Colleagues

At the height of summer and with the city in a flurry of excitement, we recently celebrated two of our lovely colleagues who are departing our firm for new beginnings at law school. In honor of their much-appreciated contributions and to commemorate this next step in their journeys, we gathered at Tonchin, our favorite ramen establishment in the city. Over warm bowls of handmade noodles, tangy salad, and fresh steaming buns, we recounted memories and exchanged advice for the rigorous halls of legal education that lie ahead. For dessert, we indulged in heaping cold kakigōri, a Japanese shaved ice confection that comes in espresso, matcha, and other vibrant flavors, an absolute delight for the hot days of summer. As we said goodbye over good food and laughter, we cherished our time together at the firm. We look forward to seeing our DLG team continue to grow and develop, but we will certainly feel their absence. We toast to their futures in law and beyond!