The High Line is one of our favorite spots in the city, and we are enjoying the last sunny days of fall by exploring the current contemporary art exhibitions on view. The installation “Secondary Forest” by Italian artist Giulia Cenci stands at 24th street, welcoming visitors to investigate the intersection of human forms and organic elements. The sculptures depict animals, plants, and human appendages created from melted down scrap metal to create a forest that has regenerated after human-caused disturbances, much like the Highline itself. In fact, the artist described how the unique location of the exhibit, which hovers above NYC’s Meatpacking District, where slaughterhouses once stood and chic restaurants and shops now line the streets, influenced her work. As the artist explains, “[T]he High Line is a beautiful work itself; I immediately loved the way nature has been growing and devouring a manmade infrastructure. I started to fantasize about an area where different people, animals, plants, machines, and invisible entities are meeting and crossing.” Cenci’s thought-provoking work will be displayed through March 2025.
“The Little Mermaid” by Edvard Eriksen
When we were in Copenhagen last week for a gathering of the lawyers of the Rome District Chapter, we sought out this diminutive landmark because it reminded us of an immigration debate from many years ago, could Ariel really make the world her oyster?
Perched atop a rock at the Copenhagen Harbor sits “The Little Mermaid”. Inspired by the Hans Christian Andersen fairy tale about a mermaid who gives up everything to fall in love with a prince on land, Danish brewer Carl Jacobsen, known for Carlsberg beer, commissioned Edvard Eriksen to bring the whimsical princess to life in the form of a statute and gifted it to the city in 1913. According to legend, every morning and every night the mermaid swims from the bottom of the sea to the surface and waits on a rock, hoping to see her prince. The Danes have proven to have a welcoming spirit to the migrant princess and she has thrived in Denmark for over a hundred years!
Día de los Muertos in Times Square
In the heart of Times Square, the NYC Department of Transportation (DOT) has unveiled three vibrantly colorful skeleton statutes in celebration of the traditional Día de los Muertos, or The Day of the Dead. Celebrated on November 1 and 2 in Mexico, Día de los Muertos celebrates the rich cultural tradition that honors the memory of deceased loved ones and reminds us to appreciate life while we have it.
The installation, which is presented in partnership with the Times Square Alliance, the nonprofit Mi Casa es Puebla, and the Mexican Consulate invites visitors to remember and celebrate the memory of their dearly departed.
Dinosaur by Iván Argote
Not to be outdone by our friend in London, “Dinosaur” has made its debut on The High Line. The 16-foot-tall aluminum pigeon sculpture is the newest High Line installation, surveying the city from 30th street. The name “Dinosaur” serves as a nod to the humble pigeon’s incredible origins, as the common birds descended from dinosaurs.
Artist Iván Argote noted that when developing the piece, he wanted to make something strange, funny, and provoking. With this installation, Argote places the pigeon on a pedestal, the kind of space usually reserved for leaders, heroes, or historical figures, and by doing so pushes New Yorkers to question who and what we commemorate. Pigeons, like many of the city’s residents, migrated here from abroad, and Argote highlights that “even the pigeon, a New York fixture, migrated here and made the city their home.”
A New Friend
Our last Friday Photo series showcased flowers; our new installation puts pigeons at the forefront. We begin with our chubby feathered friend, a grounded fowl who lives in London. This happy pigeon can be found wandering around on foot by Buckingham Palace, as flying is not aerodynamically possible for the little guy. He makes the best of it and enjoys all the snacks the residents share. Stay tuned next week as our pigeons get bigger…
Women’s Book Battles
The New York Historical Society is currently showcasing “Circulating Control: Women's Book Battles, 1880-1930,” which explores the influence of New York City’s first librarians – women. In the late 1870s, women in New York started the New York Free Circulating Library, creating the largest network of literature in the city. By managing and keeping this library system, these women naturally began influencing and mediating the kinds of books New Yorkers had had access to.
In the nineteenth century, Christian reformers targeted these efforts, attempting to censor books and publications they saw as immoral. However, the women who ran these libraries resisted control, and still found ways to circulate literature on controversial topics of the time. The exhibit highlights how censorship often sparks greater public support for the ideas censors seek to suppress, a trend we still see to this day.
Visitors can explore preserved texts, photographs, and relics from New York City’s first librarians through November 30, 2025.
“Graft” by Edra Soto
Welcoming visitors at the Fifth Avenue entrance to Central Park stands a new sculpture, “Graft” by Puerto Rican artist Edra Soto. “Graft” is part of a series of installations by Ms. Soto that brings to life the exploration of the relationship between our private lives and what we choose to share with the world. The four screens are sculpted out of corten steel and terrazzo, which are inspired by rejas, or iron screens commonly seen outside of homes in Puerto Rico. The rejas replicate geometric patterns that may be traced back to West Africa’s symbol systems known as Yoruba and pay homage to the island’s Black heritage which is often overlooked by Puerto Rico’s Spanish Colonial history and architecture.
Visitors can stand on the outside of the sculpture, peering across towards the park, or on the inside, where they are invited to sit at tables and seating that mirror the welcoming interior of a home in Puerto Rico. By welcoming us inside, Soto invites New Yorkers to connect to Puerto Rico and its communities across the city.
“Untitled (America/Me)” by Glenn Ligon
For decades New York based artist Glenn Ligon has explored issues of race, sexuality, and identity in his art through a historical lens, drawing on literature and sources from the past. Using text in his work, he plays with language to make us think about shifting meanings in different contexts. Now, Ligon has once again drawn attention to what America means as our nation struggles to maintain unity.
“Untitled (America/Me),” is a new 25 x 75 foot billboard viewable from the High Line at 10th Avenue and 18th Street. The installation revisits Ligon’s iconic 2008 neon sculpture, “Untitled,” which featured the word AMERICA in bold neon caps that flickered on and off. Ligon has modified his original piece by crossing out most letters in AMERICA, leaving behind only the word “ME.” As the artist explains, “The word ‘America’ is eclipsed, and the blackening of the letters adds a layer of ambiguity… It’s timely as we reflect on our purpose as a nation and as individuals.” Timely indeed as we ponder the election this coming November 5th and what America means to each of us.
“The Great Elephant Migration” by The Coexistence Collective
After a long journey, “The Great Elephant Migration” has finally made its way to New York City. The herd will call the Meatpacking District home for the next few weeks, inviting us all to walk alongside the elephants as they explore the neighborhood. The traveling herd of 100 pachyderm models are each inspired by an individual living elephant in the Nilgiri Hills region of Southern India, and the sculptures are constructed by indigenous artisans and contemporary artists. The majestic elephants are meant to mimick “how it is when you’re in India, with the elephants walking through the streets” according to Dodie Kazanjian, the founder of the Rhode Island nonprofit Art&Newport, who curated the elephants’ US tour.
We last caught up with the elephants in London back in 2021 and are thrilled to visit them again in our backyard! A must see for kids of all ages, the installation will leave us October 20th and travel throughout the US through 2025.
DLG Annual Boat Cruise
As the sun sets on summer, we gathered for a much-anticipated tradition: the DLG annual end of summer sunset cruise. We were rewarded with beautiful weather this year as we sailed around majestic New York City landmarks. Taking in views of the Statue of Liberty, the Brooklyn Bridge, and Downtown Manhattan from the Hudson is nothing short of magical. We love taking a moment to pause from our hard work to enjoy food, drink, and each other’s company. Now we look forward to what autumn and winter have in store for us all.