Annual Boat Dance 2026

On a beautiful end-of-summer evening, we gathered for our annual sunset cruise along the Hudson River, temporarily trading our desks and deadlines for a charming boat ride beside the New York skyline. Over delicious bites and drinks, we reminisced with current and former colleagues on the tribulations of immigration law and the joys of helping our clients.

As we sailed down the river, we were rewarded with spectacular views of some of the city's most iconic landmarks. The picturesque sight of the Statue of Liberty reminded us why we love what we do. Drifting past downtown Manhattan, illuminated at dusk and dotted with still-lit windows, we felt a renewed love for the city that never sleeps. And as we crossed under the Brooklyn Bridge, we waved to many fellow travelers, on boats, trains, and cars alike, each on their own path.

Now, as we head into fall, we're ready to get back to work. Until next summer's voyage, we’ll persist at what we do best: keeping people moving, keeping cases moving, and steering the ship onward.

"auruBOROS - Urban Memory and Collective Dream"

Marking its first public-art presentation in the United States, Bvlgari, the renowned Italian jewelry and accessories house, unveiled “auruBOROS—Urban Memory and Collective Dream” on the High Line during New York Fashion Week.

The thirty-three-foot pneumatic sculpture is the latest installation in the Serpenti Infinito global series, created to celebrate the 75th anniversary of Bvlgari’s iconic Serpenti collection. Serpenti Infinito has brought bespoke presentations around the world, from Shanghai in 2025 where it also celebrated the year of the snake, to Seoul and Mumbai.

The mirrored gold structure spirals in a mesmerizing tangle, and visitors can walk among the coils, tracing their intertwined path. Conceived by Berlin-based artists Marco Canevacci and Yena Young of Plastique Fantastique, “auruBOROS—Urban Memory and Collective Dream” takes its name from the Ouroboros, the ancient image of a serpent consuming its own tail—a symbol of transformation, renewal, and perpetual evolution. Its golden coiling forms “invite us to embrace change as a source of beauty, innovation and inspiration,” as noted by Laura Burdese, CEO of Bvlgari.

Consider this your sign to catch a glimpse of the sculpture before it slithers away, as Serpenti departs the High Line on September 20, 2026.

"Tribute in Light"

Twenty-five years after the September 11th tragedy, we were able to capture the annual commemorative installation “Tribute in Light,” which rises over lower Manhattan in the form of two bright beams cast upward into the sky, visible from dusk to dawn. Reminding us of the lives lost and changed twenty-five years ago, the memorial honors the heroes and victims of the attacks. We observed the shining recreation of the two towers which once overlooked the skyline, holding solemn remembrance and resilient love for New York City in our hearts. A moving display, the tribute lights encapsulate profound grief and hope at once, continuing to unite New Yorkers in their glow, a quarter-century later.

Summer Memories

Summer may be winding down, but we’re not quite ready to say goodbye. As we head into Labor Day weekend, we’re looking back on a long, hot, and wonderfully fun-filled summer and sharing a few of our favorite moments, captured through our lenses along the way. 

From memorable scenery and new places to spontaneous adventures and time spent with family and friends, these are the moments that made summer 2026 one to remember. Here’s to savoring the last days of summer and carrying a little of that sunshine into the season ahead.

Happy Labor Day—and happy roaming!

Farewell to Dear Colleagues

At the height of summer and with the city in a flurry of excitement, we recently celebrated two of our lovely colleagues who are departing our firm for new beginnings at law school. In honor of their much-appreciated contributions and to commemorate this next step in their journeys, we gathered at Tonchin, our favorite ramen establishment in the city. Over warm bowls of handmade noodles, tangy salad, and fresh steaming buns, we recounted memories and exchanged advice for the rigorous halls of legal education that lie ahead. For dessert, we indulged in heaping cold kakigōri, a Japanese shaved ice confection that comes in espresso, matcha, and other vibrant flavors, an absolute delight for the hot days of summer. As we said goodbye over good food and laughter, we cherished our time together at the firm. We look forward to seeing our DLG team continue to grow and develop, but we will certainly feel their absence. We toast to their futures in law and beyond!

“ARCHETYPES” by Derek Fordjour on the High Line

After a long winter, we have been enjoying all the greenspace that the city has to offer in the July heat, so we of course had to stop by the High Line and take a look at the park’s ever evolving art collection. Strolling down the path of this iconic once-abandoned train track, we were lucky enough to stumble across Derek Fordjour’s newest public artwork, “ARCHETYPES.” The installation features stunning bronze sculptures of a burlesque dancer, a waiter, and a boxer. Through this collection of “archetypes,” Fordjour examines the ways in which labor, entertainment, and service are interlinked in Black communities across the country. The installation boldly asks viewers to question their own previous notions about these overlapping economies, illustrating how our associations with each archetype are more similar than we would assume.

Whimsy in Motion on Park Avenue

In celebration of summer, we have been soaking up the sunshine and enjoying some of the city’s newest outdoor artwork.  We recently walked over to Murray Hill, where a selection of sculptures by Dorit Levinstein have been installed along Park Avenue. In partnership with the Eden Gallery, the exhibition feature nine sculptures by the acclaimed artist. Dorit Levinstein’s signature twirling figures are equally graceful and fun, eliciting delight from her viewers. With intricate patterns, vibrant colors, and innovative shapes, this installation adds a sense of whimsy to the tree-lined Park Avenue, inviting passersby to stop and enjoy the urban surroundings.

“Live Free or Die” by Danh Võ

In a busy time for world flags in New York City, we managed to catch a glimpse of one more, the Vietnamese and Danish artist Danh Võ’s take on the American stars and stripes, titled “Live Free or Die.” The piece is on display at the Vilcek Foundation gallery in the Upper East Side, where it sits among a wider collection of Võ’s works. Established in 2000, the Vilcek Foundation celebrates and explores immigrant contributions to the United States, particularly in the arts and sciences. In this piece, commissioned by the foundation, Võ reimagines the American flag as a piling of ash logs in different wood tones, studded with steel cutouts of thirteen stars, representing the original American colonies. Jagged wooden edges heap together, leaving fragmented gaps between the logs, but ultimately the materials amass into a familiar image of American patriotism. The title references a decisive, almost hostile call for independence aligned with revolutionary ideals of American freedom, though best known as the infamous state motto of New Hampshire. The larger exhibit, “Danh Võ: Rebuilding Liberty,” also includes sculptures from Võ’s “We the People,” a collection of seemingly nondescript ridged and textured copper structures which are, in fact, pieces from an unassembled full-scale replica of the Statue of Liberty. The full series lays in metallic tatters at museums and parks around the world. At the Vilcek Foundation gallery, the single left eye and brow of Lady Liberty’s face gaze at the ceiling, in front of Võ’s choppy, earthen depiction of the star-spangled banner. As the 250th anniversary of American independence approaches, these transformative versions of iconic national symbols contextualize the rich, fragmented, and often somber arc of American history, and the prescient place of immigration and art within it.

Photos by Anna Hochman

World Cup Fever

As people around the globe get swept up in the joy of the Beautiful Game, we thought we’d join in on the fun. We stopped by the first 2026 World Cup match hosted at the New York New Jersey Stadium (renamed for the occasion) to witness Brazil take on Morocco in a thrilling contest for football glory.

With the teams’ respective supporters showing out in full force with coordinating colors to mirror their nations’ flag, and splendid chants echoing throughout the stadium, this event has been a bright celebration of both national unity and international diversity. Beyond the stadium, decorations on local businesses and residences continue to bring a celebratory atmosphere to the city, and everyone is buzzing in anticipation.

Although the match ended in a draw, we are soaking in the festive energy brought by our friends from all over the world and can’t wait to see the coming matches and meet more international fans!

Juneteenth at “To Be A Place”

In celebration of Juneteenth, we headed uptown to visit the Studio Museum in Harlem, which exhibits work reflecting the African diaspora. The Museum, founded in 1968, is rich with history and showcases a stunning collection of art, from icons like Jean-Michel Basquiat and Kehinde Wiley to up-and-coming names supported by their Artists-in-Residence program. On display right now as part of the “To Be A Place” exhibit, is “African-American Flag” by David Hammons, an artist known for his use of political symbolism throughout multimedia practice. Another flag made by Hammons, this one untitled, is proudly hoisted in front of the museum. Together, the works stand as symbols of joy, resilience, and history, reflecting the rich cultural legacy of Harlem’s Black community and inspiring audiences far beyond the neighborhood.