This week, we explored the High Line to experience Kânh Chhrôôl (Gluta Usitata), Melembu, and Khlông (Dipterocarpus Tuberculatus) by Cambodian artist Sopheap Pich on view through August 2026. Known for transforming natural materials into sculptures inspired by bodily organs and plant structures, Pich’s pods suspended above West 24th Street are crafted from copper, gleaming in the sunlight while embracing natural hues. Raised during the Cambodian genocide, Pich’s work often weaves themes of memory, nature, and migration. This piece is no exception. It references the hardwood trees in the garden of the National Museum of Cambodia, whose pods spiral through the air, traveling long distances before settling. These forms serve as a poignant metaphor for human migration and the lasting effects of conflict and displacement. This evocative installation also draws attention to environmental fragility. The trees are threatened by poaching for their valuable timber, reminding us of the delicate balance between human impact and the resilience of nature. Pich’s installation invites reflection on history, movement, and the intricacies of the natural world around us.