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At The Met – Fictions of Emancipation: Carpeaux Recast

May 6, 2022 Melanie Katz
Why Born Enslaved!
Why Born Enslaved!

Jean-Baptiste Carpeaux

Modeled 1868, carved 1873

Why Born Enslaved! (right), After La Negresse (left)
Why Born Enslaved! (right), After La Negresse (left)

RIGHT: Reduced-scale plaster reproduction by Jean-Baptiste Carpeaux, used to make other reproductions for sale.

LEFT: cast 2006 by Kehinde Wiley

Why Born Enslaved! Why Born Enslaved! (right), After La Negresse (left)

New York’s most famous art museum, the Metropolitan Museum of Art, is currently featuring a groundbreaking exhibition called “Fictions of Emancipation: Carpeaux Recast.” The exhibition is centered around a single sculpture – a marble bust by Jean-Baptiste Carpeaux entitled Why Born Enslaved! (1868). The bust, featuring a Black woman with tied arms and a defiant expression, became very popular in Europe when it was created. The Met’s exhibition explores the idea that antislavery imagery often reinforced the colonial power structures that they were meant to critique. It is “the first exhibition at the Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire.” The exhibition is thoughtfully and expertly curated to challenge “institutional narratives… bringing race to the forefront of discussions about art and culture.”

Tags friday photo, art, museum, history, exhibit, sculpture, antislavery, abolition, nyc, met museum
 

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