Triumph of the Human Spirit is one of the sculptures that the New York City Department of Parks & Recreation is highlighting during Black History Month to honor the African American experience. This fifty-foot granite abstract sculpture, by artist Lorenzo Pace, is inspired by the “Chi Wara” carved antelope headdresses of the Bamana people in Mali, West Africa, and sits within a boat-like structure symbolizing the “middle passage” of enslaved Africans to the West Indies and Americas. Set in Foley Square in downtown Manhattan near the site of a Colonial-era African-American burial ground where as many as 10,000 men, women, and children were interred (residents of African descent in New Amsterdam and New York were enslaved from 1625 until 1827), the sculpture “symbolizes freedom and endurance.” The park’s signage also notes: “Besides its universal message, it was created with the artist’s own personal ancestry in mind, and its granite base contains a replica of the inherited lock and key which were used to enslave his great-great grandfather Steve Pace.”