The Wynwood Walls in Miami were originally conceived by the late real estate developer Tony Goldman, who was looking to transform the warehouse district of Wynwood. He came up with a simple idea, he explained at the time: “Wynwood’s large stock of warehouse buildings, all with no windows, would be my giant canvases to bring to them the greatest street art ever seen in one place.” Since their inception in 2009, over fifty artists from sixteen countries have covered over 80,000 square feet of walls. We were able to visit the walls before our return to New York, and were blown away by the talent of the artists. We were lucky enough to see some artists in action as well. As part of the world famous Art Basel show going on this week in Miami Beach, Wynwood Walls invited artists to work on installations live for spectators. As Goldman once said about the walls: “The project has truly evolved into what my friend Jeffrey Deitch calls a ‘Museum of the Streets.’”
Wynwood Walls
Work-In-Progress
Dropped Bowl with Scattered Slices and Peels
We are in sunny and warm Miami (sorry, rest of country with crazy snowstorms and weather) for the Thanksgiving Holiday and came across this massive public artwork installation by artists Claes Oldenburg and Coosje van Bruggen, who are known for their large-scale installations in city settings. Located in downtown Miami, Dropped Bowl with Scattered Slices and Peels captures a moment when a bowl of orange slices and peels drops to the ground and shatters. The artwork includes bowl fragments in cast concrete, peels in steel plate, and orange sections in reinforced cast resin all with an overall weight of over 124,000 lbs. With the oranges and bright colors, Dropped Bowl certainly captures one aspect of Miami. And, depending on how your holiday is going, it might be an accurate representation of Thanksgiving for some people (not ours, thankfully). Whatever the case, we wish everyone a Happy Thanksgiving Weekend!
The 5 Biggest Immigration-Related Acts and Cases in US History
It’s November already, can you believe it? In addition to colder temperatures and the end of daylight savings times (hello, darkness!), it’s also time for the most “American” of holidays—Thanksgiving. While the history of Thanksgiving is much more complicated than what is commonly taught in schools, it’s nevertheless an opportune time to reflect on our presence in this country as immigrants, refugees, and, yes, colonizers, and also reflect on how we have historically treated other immigrants and refugees. To that end, we are looking back at five major acts and cases in US history that have shaped and influenced US immigration law and policy.
Read moreForbes: "Trump Plans Far-Reaching Set of New Immigration Regulations"
The Department of Homeland Security released the Unified Agenda this month showing that the Trump administration is proposing new immigration regulations that would have a dramatic effect on employers, international students, H-1B and L-1 visa holders, EB-5 investors, and asylum seekers, among others. Stuart Anderson, executive director of the National Foundation for American Policy, writes in Forbes that the agenda is "ambitious and far-reaching" and an "attempt to lock into place changes to immigration policy that cannot be easily undone, regardless of the outcome of the 2020 presidential election."
Read moreEvery Day I Pray For Love
Yayoi Kusama is one of the most admired artists of the twentieth and twenty-first centuries. Known for her use of repetitive elements—most famously, her use of repeating dots—Kusama’s work enchants and inspires a global audience. Kusama’s new exhibition—Every Day I Pray for Love—is on display at the David Zwirner Gallery in Chelsea. The exhibit includes paintings in her My Eternal Soul series, sculptures, and, the reason for that very long line on the sidewalk in front of the gallery, the Infinity Mirrored Room - Dancing Lights That Flew Up to the Universe, 2019. One cold morning this week we waited in the line for about an hour to spend one minute with three other people in the infinity room. Although brief, it’s well worth it. The infinity room, as the gallery says, is an “immersive and poetic experience of endless space” and the beautiful flickering lights combined with the dreamlike reflections are meant to reveal, as Kusama says, an “eternal unlimited universe [and] the eternity of interrelationships.” Unfortunately, there is only a finite time to see it. The exhibition is only on display through December 14, 2019, so hurry!
Because of Immigrants
USCIS Proposes to Dramatically Increase Filing Fees
US Citizenship & Immigration Services (USCIS) announced earlier this month a proposed rule to adjust the fee schedule by a weighted average increase of twenty-one percent. In making the announcement, USCIS noted that unlike most government agencies, USCIS is fee-funded and claims the current fees if left unchanged would underfund the agency by approximately $1.3 billion per year. “USCIS is required to examine incoming and outgoing expenditures, just like a business, and make adjustments based on that analysis,” Ken Cuccinelli, acting director of USCIS, said in a statement. “This proposed adjustment in fees would ensure more applicants cover the true cost of their applications and minimizes subsidies from an already over-extended system.”
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